Like the proud parents of a new-born child, we present you with the labor of love that is the video for When I Am King by Dutch indie rocker Tim Knol. The video was painstakingly put together by hotshot superbot Sverre Fredriksen who soldered ten tons (or thereabouts) of timber to create the images, and stop motion to animate them – averaging five hours of work per second shown. The clip was produced by our hot sister, YellowSubmarine, and we took the opp to create a ‘making of’ video, which you can see on 2Pause.com (our homage to the art of music vids) along with this video and many many more.
Credits: Director: Sverre Fredriksen (svrrmasjon.net) Assistent director: Mireille de Koning Assistants drawing/pyrography: Gözde Kırcıoğlu, Sylvie Flamand, Mustafa Kandaz, Tom van der Heiden Additional audio intro/outtro: Bram Meindersma
Production co.: Yellow Submarine (yellowsubmarine.nl) Producer: Ellen Hoffmann Production manager: Olivia van Leeuwen, Anne Bareman Production assistent: Marah Haan
Technical assistants: Maurice van der Bij, Per Sveinung Larsen, Tom van der Heiden, Zoltan Korai.
ENVISION : Step into the sensory box. Sous ce nom se cache l'expérience immersive offerte par ALCATEL-LUCENT à ses clients lors du dernier Mobile World Congress. Une expérience à base de vidéo mapping conçue par l'agence SUPERBIEN et le département New Media de l'Agence \Auditoire. Le public était invité à entrer dans un cube et à découvrir une vision artistique de la tagline de l'événement : Transforming the mobile experience.
Are you easily entertained by flashing lights and shiny objects? Well, then, good news! You’ll like this trippy display of computer graphics which, Google Translate suggests, is a promotional video for a French telecommunications company. It’s called “ENVISION: Step into the Sensory Box.”
You probably had to enter it somewhere on a website already; a CAPTCHA code.
A random string of awkwardly placed numbers and characters, to be recognized and entered to verify you really are human. Architect Aram Bartholl (DE) places CAPTCHA codes as tags in the public space. Their strange art of writing makes sure the codes blend in the street view unnoticed.
German artist Aram Bartholl often juxtaposes online life with real life, as seen in his giant Google Maps indicators and actualization of World of Warcraft avatars. One of his recent projects is to place CAPTCHAs — the images of letters and numbers used to prevent computers from creating accounts with online services — in public spaces. Bertholl places them next to graffiti tags because graffiti, like CAPTCHAs, are codes that can only be read by certain people. The project is called “Are You Human?”
We were asked to do three TV idents for Verizon Broadband in the USA. After pitching our ideas and being awarded the job, we learned that we were supposed to do nothing else than make another version of “The Zoo”. Coincidentally, we had invented a few more, new transformation techniques. We produced the “Music” ident ourselves, the other two (“Games” and “Movies”) were produced at The Mill, London.
Agency: McGarry Bowen, New York Length: 10s Sound Design: Massive Attack; promo version: Michael Fakesch
2D Intro Animation for award-winning Indie Game “Airborn”
CREDITS: Direction, Animation & Artwork - JULIUS BROCKELMANN lufthoheit.com Storyboard, Artwork - JOHANNES FIGLHUBER jastorama.net Artwork - SIMON KOPP simonkopp.de Artwork - STEPHAN STÖLTING stephanart.com Original Music - IAN DORSCH willowtreeaudio.com Sound Design - AUDIONERVE audionerve.de
Follow up to the award winning 'Blokes'. A mixture of hand rotoscoped and 3D elements created in Photoshop, Cinema 4D, After Effects & the odd scrap of paper.
A bit about the poem from Mat Lloyd:
"I wrote the poem on a canvas with a marker pen the morning after I was attacked.
The night before I was in my local park on the opening day of the skate park I'd helped get built, it was nearly midnight. We'd organised a DJ to play the day out in a marquee and I just popped out to take a leak. In my drunken state I was stumbling to find a bush when I heard, and felt, a sort of 'boink' sound. I knew I'd been hit on the back of the head, and I knew it wasn't with a fist. I don't remember much else other than being back at the marquee with a bleeding head.
I was very lucky as a number of my friends and other revelers had spotted me being kicked on the floor and ran over to drag me out. For that I am very grateful.
Living near London, the poem has never been retired and still appears in my performance sets. With youth violence seemingly growing year on year, the poem is as relevant now as it was when I wrote it. People blame hip hop culture, movies, video games, parents, the education system, unemployment, the list goes on. I don't have the answer.
The saddest thing about "2 Inches to the Right" is all to often, someone from the crowd comes to speak to me after I leave the stage and tells me of their friend who died in a similar situation. The poem gives them hope that some may listen, and think twice." - Mat Lloyd
If anyone has any additional platforms this could be broadcast from to reach more people and hopefully make them think twice get in touch mattfrodsham@gmail.com
The video for “Follow Me Down” by UNKLE with guest vocals by Sleepy Sun. The video features super model Liberty Ross and was directed by Warren du Preez & Nick Thornton Jones. The video is an extension of the artwork from "Where Did The Night Fall".
"Rabbit in Your Headlight" UNKLE by Jonathan Glazer
AJIQ by Soulgrafix is a great stop-motion and animation piece that was made to inform people of the poor work conditions independent journalists have in Quebec.
Made with over 500 folded sheets of paper and 2 photo shoots, this viral video is made to inform people of the poor work conditions independant journalists have in Quebec.
1. Layout created in Indesign, 2. Shoot and integration of the "evil hands" (the black and white ones) 3. Import footage and layout in After Effects 4. Export 550 frames from After Effects 5. Printed and folded 550 sheets of paper in a newspaper format 6. Final stop motion photo shoot
Created and Directed by Soulgrafix D.O.P: Dan Popa Music: Nookaad
Ubisoft uncovers the next chapter of the Assassin's Creed video game franchise titled Brotherhood.
Name: Assassin's Creed: Brotherhood Release date: To Be Announced Platform(s): PC, PlayStation 3 and Xbox 360 Publisher(s): Ubisoft Developer(s): Ubisoft Montreal
See the claw and many other weapons culled fro the Brotherhood's mysterious website.
Assassins Creed Lineage Full Length Movie [HD] Developed by Ubisoft's Hybride Technologies, the visual effects studio behind 300 and Sin City, Assassin's Creed: Lineage combines live action and computer generated imagery (CGI) to explore the events that happen just before the Assassin's Creed II game starts. The short films revolve around Ezio's father, Giovanni Auditore da Firenze, and give insight on the game's back story and universe.
The short films will whet the appetite of game players and fans of this type of cinematography in advance of the in-store release of the video game on November 17, 2009. Assassin's Creed: Lineage will also introduce some of the characters that players will meet in the game: both foes and friends of the family, like Lorenzo de Medici, the Italian statesman and de facto ruler of the Florentine Republic during the Italian Renaissance period.
Assassin's Creed - Lineage (Película completa)
Tras la muerte del duque de Milán, el Asesino Giovanni Auditore recibe el encargo de investigar el crimen. Su misión es descubrir a los responsables y las razones del brutal asesinato. Pero las respuestas que encuentra implican a las familias más poderosas de Italia y desvelan una conexión con el propio Vaticano. Al acercarse más y más a la verdad, Giovanni se convierte en uno de los objetivos del complot. Debe sacar a la luz los nombres de los conspiradores antes de que él mismo se una a la lista de víctimas Esta es la historia que precede a Assassins Creed II.
Episodio 1: 1476, Florencia. Giovanni Auditore, un Asesino, intenta descubrir una conspiración contra uno de los aliados de Lorenzo de Medici para el que trabaja. La investigación le llevará hasta Milán, donde intentará evitar que ocurra lo peor.
Episodio 2: Al perseguir a los asesinos de Sforza, Giovanni llega a Venecia, donde intercepta una carta codificada de los conspiradores. Decodificar este documento para desvelar los nombres de quienes han orquestado la conspiración será de vital importancia.
Episodio 3: Incapaz de descifrar el contenido de la carta, Giovanni decide llevarla a Roma para desenmascarar a los líderes de la conspiración, pero allí descubre que ésta es más grande y más peligrosa de lo que había pensado
Circus Knie is a Swiss circus founded in 1803 by the Knie family and has existed in its present form since 1919 when it changed from an open arena to a covered tent. Today the circus is an enterprise with about 200 employees, operated by Frédy and Franco Knie in partnership with insurance company Swiss Life.
This timelapse tiltshift movie shows how the Circus Knie tent was put up on April 29, 2010, in Sankt Gallen, Switzerland.
This timelapse tiltshift movie shows how the Circus Knie tent was put up on April 29, 2010 from 07:00 to 09:00 in Sankt Gallen, Switzerland.
Produced by ESPN in conjunction with Wieden + Kennedy and directed by cinematographer Lance Acord (Being John Malkovich, Adaptation, Lost in Translation), “Power of Ten” celebrates the honor and burden that comes with wearing the most sacred jersey number in soccer (set to U2’s “Out of Control”).
This is the third spot released in ESPN’s “One Game Changes Everything” campaign, which consists of a total of five spots. The spots focus on the passion, traditions, rivalries and glory that are unique to the World Cup.
“Robben Island,” debuted on April 7 and focuses on the historic impact of the 2010 World Cup being held in South Africa, followed by the debut of “United” on April 21, which conveys the passion for the FIFA World Cup that unites disparate cultures (set to U2’s “Magnificent”).
Credits: AD AGENCY: Wieden + Kennedy NY DIRECTOR: Lance Acord AD CAMPAIGN: One Game Changes Everything WHERE AIRING: Across the ABC/ESPN family of networks
'Street Fighter-Legacy' a Streetlight Films production, co-directed by Joey Ansah and Owen Trevor, produced by Jacqueline Quella and stars Jon Foo as Ryu and Christian Howard as Ken.
'StreetFighter-Legacy' a liveaction short film fan project, based on the popular Capcom gaming franchise: Street Fighter. Officially endorsed by Capcom
StreetFighter Legacy has been a labour of love and passion project for its creator, Joey Ansah, who not only conceived and pitched the project, but also co-directed, co-wrote and choreographed it, alongside cameo'ing in the film. Collaborating, creative partner and long time friend Christian Howard was part of the project from day one, co-writing the script and story elements, as well as further down the line, storyboarding the film, being assistant fight choreographer and most importantly playing Ken Masters.
Streetlight repped Australian Director Owen Trevor came onboard to co-direct the film. His experience and style carried forward from shooting on 3 series of the acclaimed 'Top Gear' have really been an asset to the project and given it a strong visual flair.
Promotional Photography by Theo Chalmers : www.theochalmers.com
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