It is called Death Valley as a warning
Hace 2 horas
Vini, vidi, video
The video for ‘Nail’ conceptually explores the dualistic themes of vulnerability and strength, bondage and freedom, death and rebirth in parallel to the lyrical content of the song. “Performing within a custom made sensory deprivation bed built by S&M pioneers Kink Engineering, Nika was sealed between sheets of opaque black latex with a high powered shop vac for each take – a physically aggressive and demanding form of restraint that requires breathing through rubber tubing constructed within the bed. Stripped of the superfluities of the flesh, her performance reveals the surreality of the dehumanized form.
The video is a madcap homage to Fluxus performance events such as Yoko Ono’s famous cut piece, No Wave-era zero budget films and the tension of minimalism and maximalism intermingling in our product saturated digital lives. It speaks to where the band has been as proto post-punk pioneers who were influenced by the true analog greats of the 70s, 80s and 90s, but also where they are going as modern women working, having kids and continuing to make music in an age in which we must all fight for attention. Most of all it’s a commitment to the notion that rock music is ultimately about FUN.
Some of my favorite videos are simple choreographies — for the “This Is Not About Us” video I wanted to try working with a choreographer and push myself to work on dance in a way that was less free-form and messy. I’m glad to have had the chance to work with Karla [Garcia] and to appreciate even more the role of the choreographer. It’s an ego-less thing to give yourself over to making someone else dance as well as possible, especially when they’re not nearly on your level. Thank you to the crew and Dan for capturing our day together.
On Sunday we made a one-act play for my friend Humberto’s company, Opening Ceremony. The idea was to do a play instead of a regular fashion show during Fashion Week, and, miraculously, we were able to do it at the New York Metropolitan Opera House. (Thank you, Peter Gelb and everyone at the Met!) Also, this week my dear friend Karen is putting out her first solo album of precious, personal love and heartache gems titled Crush Songs. They are songs made so intimately and spontaneously alone in her bedroom a few years ago that they feel more like unguarded whispers from her heart than a traditionally produced album. So on Sunday, during a ten-minute break as we were rehearsing and lighting at the Met, we made a very impromptu “music video” for Karen in the spirit of her album. It just seemed like if you have the Opera House, that song, and Elle Fanning together, you shouldn’t let the opportunity go by. So we made this as a surprise gift for Karen to congratulate her on her album. She is going to see this for the first time as you do. I hope you enjoy.