Ava Luna’s third full-length, Infinite House, is exciting
because it’s inconsistent. Their sound is always challenging and
expertly tailored, but this time around, it’s so varied that it’s hard
to make comparisons or dump the record into any preexisting,
contemporary categories. Nothing about this record is predictable, nor
is it conventional, and giving extra breathing room to the weird has
served the band exceedingly well. I’ve said in the past that Ava Luna is
a kind of supergroup, a collection of artists who are well known
outside of their work with the band, and in no way is that more obvious
than when we admire the first three singles — “Billz,” “Coat Of Shellac,” and “Steve Polyester”
— each of which was written by and fronted by a different member.
“Steve Polyester” is Becca Kauffman’s absurdist spoken-word offering.
It’s a wayward, spiraling tale about an amorphous being who the narrator
pursues throughout a “not-so-popular part of town.” It’s initially
goofy sounding, particularly when Kauffman’s narration descends into
baritone at the mention of “anthill,” or when a crisp, nasally voice
chimes in, “He’s like a ruby lined in gold!” But with time, Steve
Polyester evolves into something much more than just a figure shaped
like a cockroach. He (it?) becomes a document of unspecified desire, a
pursuit of all of the things that we look for in other people rather
than in ourselves. This is a song about longing for something undefined,
which makes “Steve Polyester” a universal, albeit unorthodox, song.
Angela Stempel’s whimsical animation brings some of Kauffman’s story to
life, the narration’s many intricacies exposed by nuanced illustrations
and angular line-work.
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