5/15/2013

Florence and the Machine - "Lover to Lover" (Dir. Vincent Haycock)


The English Songstress Performs a Tale of American Heartbreak in Vincent Haycock's New Video 

A relationship falls apart in the desert towns and fog-soaked coast of California as the baroque pop chanteuse and Karl Lagerfeld and Gucci muse Florence Welch takes on a cinematic role in this second collaboration with LA-based director Vincent Haycock. After helming the narrative music video for Welch’s Calvin Harris-produced disco hit “Sweet Nothing”, Haycock wanted to further explore singer’s interest in acting in his film for “Lover to Lover”, the latest single from her hit sophomore album Ceremonials. “She wasn’t just Florence, she was playing a character,” he says. “It was exciting to take someone who’s built such an iconic visual style, with the floaty dresses and distinct look of her videos, and do something really different.” Performing opposite Australian actor Ben Mendelsohn, who stars alongside Brad Pitt in the forthcoming flick, Killing Them Softly, Welch's on-screen interpretation echoes the track’s heart-aching refrain, “There’s no salvation for me now.” Beginning in a drab Los Angeles house and building to a cathartic gospel frenzy, the romance ends as the lovesick heroine disappears amid mist into the Pacific Ocean. “The waves were enormous, it was freezing cold and four in the morning—I was weeping all the way in I was so scared,” recounts the MTV Award-winning singer, laughing. “It was the most intense experience because we shot the whole day before; I went back to the hotel, slept for three hours, woke up and dove into the sea.”

More: Nowness.

Pond – “Giant Tortoise”



While not barefoot and relatively sedate onstage with Tame Impala, bassist Nick Allbrook plays the part of kinetically charged, livewire frontman for his own band Pond, a project cut from similarly psilocybic, riff-loaded, flanged-out cloth. Allbrook’s ecstatic fits tend to be one step shy of you being legit worried he’s having a seizure, though obviously he’s got the stoner-mellow thing down cold, too. So “Giant Tortoise,” the first single and video from Pond’s forthcoming fifth LP Hobo Rocket, has all those elements in one — it opens with a Primal Scream churn before moving into decidedly Mercury Revved up psych terrain; blissed out verses, fiery hooks, harmonized riffs. The official video captures footage of the band spazzing out at SXSW 2012 juxtaposed with slow motion liquid splashes, explosions, martial arts, dancing, babes, sports highlights, immolation, and pretty much anything else you could imagine tripping youths YouTubing while peaking. (It actually looks like the held a camera up to a laptop streaming things on YouTube in most instances.)

Dale Earnhardt Jr. Jr. – “Dark Water”



Here video for the EP track “Dark Water,” one that has the two band members appearing as claymation figures piloting a submarine, while various stage-musical types act out a story of a girl underwater.

CREDITS:
Creator: Joe Baughman http://josephbaughman.com 1st Assistant Director: Andrew DeSelm

Gaffer: Daniel Jeter Grip: Drew Beaty Production Assistants: Ian McSherry, Brandon Kercher Dolly Grip: Michael Baughman Scuba Advisor: Rick Hall Armature Costume Creator: Tina Baughman Special Thanks: Cornerstone Theater (Muncie, Indiana), Dean McIntosh

Animators: Joe Baughman, Daniel Jeter, Michael Baughman Sculptors: Joe Baughman, Michael Baughman, Rachel Phipps

MØ – “Waste Of Time”

Wampire – “Orchards”



The video features the duo on a road trip that goes haywire when an unexpected extra passenger comes along for the ride. It’s the right kind of silly for a band who named themselves after a nickname gifted to member Eric Phipps by a group of goths in Germany.

5/14/2013

Queens of the Stone Age - "Kalopsia" Video


Queens of the Stone Age recorded a song for their new album called "Kalopsia", which means "a condition wherein things appear more beautiful than they are." They're certainly toying with the idea of beauty (or lack thereof) in the song's gory, dark, animated new video, which was created by the UK artist Boneface (who also designed the album cover).

Holy Ghost! - "Dumb Disco Ideas" Video



DFA duo Holy Ghost! are gearing up to release a new album called Dynamics, their first since 2011's self-titled debut. It doesn't have a release date yet, but it does have a lead single, "Dumb Disco Ideas". Here's the video, directed by Ben Fries, in which a full band's worth of instruments take on a life of their own on a New York City rooftop. 

Kendrick Lamar – “Bitch, Don’t Kill My Vibe” (Explicit)


“Bitch, Don’t Kill My Vibe” may have been the most instantly iconic song on the young rap god Kendrick Lamar’s masterful 2012 album Good Kid, m.A.A.d. City, but it’s only now getting a video. The first time you see it, the clip is both beautiful and confounding — Kendrick and his associates, dressed all in white, attending a funeral that doubles as a raucous party. As it turns out, though, there’s a punchline, one I won’t give away. I laughed. You might, too. Kendrick’s Black Hippy confederates make cameos, as do Juicy J and the comedian Mike Epps.

5/13/2013

Melody's Echo Chamber - "Some Time Alone, Alone" (Official Music Video)



Last year, French pop singer Melody Prochet released her self-titled debut as Melody's Echo Chamber (produced by Tame Impala's Kevin Parker). Now, her album cut "Some Time Alone, Alone" gets a video that's appropriately suited to its title. In the clip, directed by Grant Singer, Prochet spends some time alone (alone) on the rides at La Habra Citrus Fair in California.

Ed Schrader’s Music Beat – “Radio Eyes” Video



Ed Schrader’s Music Beat – “Radio Eyes” Video.

 In the clip, the band’s two members occupy some sort of hellish academic realm, one full of sentient apples and grabby disembodied hands. Philip Leaman directs.

Young Galaxy – “Fall For You”


The Montreal band Young Galaxy makes sparkling, straightforward synthpop, but the two videos they’ve released for tracks from their new album Ultramarine are both weird as fuck. Their “Pretty Boy” video was a love story about two people in unbelievably creepy masks. And their new all-CGI clip for the tropical throb “Fall For You” shows us alternate-universe science experiments where music makes wavforms ripple, cacti dance, and singing polygonal faces appear from thin air.

Astronaut Chris Hadfield Covers Bowie's 'Space Oddity' in Space



Canadian commander Chris Hadfield has shared with the world his cover version of David Bowie's Space Oddity, which he recorded on the International Space Station.

The full video was posted on YouTube shortly before Hadfield handed over command of the space station to Russia's Pavel Vinogradov.

Hadfield has been on the International Space Station since December 2012 and in command of the vessel since March. He will now return to Earth.

Footage courtesy of Chris Hadfield, NASA and CSA

Lana Del Rey - “Young & Beautiful” Video


Baz Luhrmann’s godawful-looking Great Gatsby adaptation is in theaters now, and you had to know that Lana Del Rey would be the first of the artists on its star-studded soundtrack album to make a video for her contribution. Del Rey’s video for the slow-swelling “Young & Beautiful” is a gorgeously photographed thing, with LDR dressed up in striking Jazz Age iconography and a shadowy orchestra supplying the atmosphere. It doesn’t exactly fit with the movie that it ties in with, but the whole thing is shot like an Italian horror movie from the ’70s, and that’s a good thing. Chris Sweeney directs.

Foxygen - “No Destruction”


Foxygen’s “No Destruction” is a lovely piece of lazy, Dylanesque, gently sprawling psych-pop, and it plays out like an extended lyrical inside joke, one you wish you understood a little better. The song’s new video has a similarly fun, homespun vibe to it. In the clip, the band’s members, dressed like cowboys, get into hijinks on what looks like an old Western film set. And director Bryan Felber, an old friend of band members Sam France and Jonathan Rado, adds in footage from films that the three of them made when they were in high school and college.

Pusha T – “Numbers On The Boards”



A rare example of a rap video that makes its presence known with patience and atmosphere, all minimal foreboding restraint. So Me generally tends toward the brilliantly hyperactive, but here he sticks with dark hallways and weathered stone, and it’s absolutely the right choice.

5/08/2013

The National – “Sea Of Love” Video



The National’s new album Trouble Will Find Me is only a couple of weeks away from release, and they’ve now dropped a video for one of its songs, the gracefully churning brood “Sea Of Love.” Director Sophia Peer has made a decidedly simple video for the song; it’s just a single, unmoving camera shot of the band, wearing matching black suits, playing in a small white room, while a little kid, also in a black suit, plays air guitar and frantically mugs. This kid is awesome, and they should seriously consider making him an onstage hypeman for the next tour. 


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The Smith Westerns – “Varsity”


Chicago glam rockers the Smith Westerns return next month with their new album Soft Will, and their new video for the shimmering lead single “Varsity” is full of close-up shots of things that scream springtime: juicy grapefruits, flowers blowing in wind, loft-elevator makeout sessions. There’s a gorgeous rooftop sunset scene in there, too. Alan Del Rio Ortiz directs, filling everything with dreamy washes of light. 

David Bowie – “The Next Day” Video Starring Gary Oldman and Marion Cotillard


Update: As Billboard points out, the video has been removed from YouTube "because its content violated YouTube's Terms of Service". It can still be watched below via Vevo.

For his third video from The Next Day, David Bowie is keeping things cinematic and strange. Obviously. Here once more is Floria Sigismundi, again directing A-list movie stars (last time Tilda Swinton, this time Marion Cotillard and Gary Oldman) in a typical tale of the church, a brothel, and a stigmata-afflicted prostitute. It’s an idea “written and conceived” by David Himself, and the second time Bowie and Oldman have collaborated (see also: 1995′s Reeves Gabrels album The Sacred Squall of Now, and the next year’s film Basquiat).

Ok, here again: