Fred Thomas is the kind of songwriter who reorders your universe if
you hear his music at the right moment, and for me, that moment arrived
last night at the Brooklyn DIY venue Palisades. Watching Thomas perform
completely alone to a small but silent audience felt bone-stripping,
making each one of his tongue-in-cheek references cut twice as deep.
Though Thomas’ songs narrate inane intricacies of daily life at
breakneck speed, the small situations he conjures often speak to more
universal feelings of unease. “Cops Don’t Care Pt. II,” from Thomas’ new All Are Saved,
is a heavy, contempt-fueled discussion of power dynamics. It conveys a
sentiment rather than a straightforward message, small pieces of passing
scenery jutting out like misplaced limbs. “Life is so incredibly long,
like a kiss on a bridge between two nervous-ass kids, terrified of doing
everything wrong/ Fickle, belligerent, fully-existent.” When Thomas
played this track last night, the room was so quiet that it felt frigid,
despite the fact that the A/C wasn’t on and everyone in the surrounding
crowd was so sweaty that we, as a collective, smelled rank. In less
than two minutes, “Cops Don’t Care Pt. II” breaks your heart and puts it
back together again with its defiant and declarative conclusion,
“Nobody’s safe from the law because they don’t give a fuck/ They don’t
give a fuck about us.” All of Thomas’ songs are intimate and earnest,
with any hint at self-reverence dampened by his acerbic delivery, and
this new video for “Cops Don’t Care Pt. II” perfectly illustrates his
dichotomous persona. Joel Rakowski directs.
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