Over the course of The Next Day‘s
rollout, we’ve seen the extraordinarily well preserved, vital art/rock
legend David Bowie make hold up his end of the bargain, from a song and
video standpoint: See “Where Are We Now?“‘s film school nostalgia, “The Stars (Are Out Tonight)“‘s Tilda Swinton-informed suburban surrealism, and “The Next Day“‘s
A-list actor-fueled, barroom Jesus Christ pose. “Valentine’s Day” is
decidedly lower concept (David on a stool with a headless guitar,
strumming and singing in a long marble corridor), though it still serves
a very important function: A remembrance of David’s wondrous eyeballs.
Watch. Because he is watching you.
7/17/2013
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