Eugene McGuinness is a Londoner whose strutting, self-assured
postpunk has a sort of graphic-design precision to it. McGuinness just
announced the impending release of his new album Chroma, which he calls “a direct, stripped-back guitar album” and which features “Fairlight,” the single he released last year. The ThirtyTwo-directed
video for “Godiva,” the lean and efficient album opener, works as a
“guitar face portraiture project,” a series of images of the grimaces
that dudes will inevitably make while shredding.
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