Effective, weirdly polemic low-budget filmmaking that riffs on some
fucked-up American political conversations without actually saying
anything about them. But the real reason this one goes on the list is
Hutch Harris’s utterly convincing performance as a crazy-eyes zealot. If
he ever decides that the whole punk rock thing isn’t working out
anymore, someone should give him work as a killer-of-the-week on Law & Order.
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