Bat For Lashes just released her new video for “A Wall,” a shivery song from The Haunted Man. Noel Paul, who directed Natasha Khan in Bat For Lashes’ “Laura” and “All Your Gold”
videos, once again helms, as a blond-wigged and extravagantly drunk
Khan enjoys the company of a dude dressed as a furry at a bleary New
Years party.
Just before Christmas, A$AP Rocky debuted the video for “Long Live A$AP,” the hazy title track from his new album.
Alongside Samantha Lecca, Rocky directed the video himself, and he
plays some sort of debauched king in a desolate, enchanted palace.
Taylor Swift – “I Knew You Were Trouble” (Dir. Anthony Mandler)
Taylor Swift as a punk-rock sprite, screaming while a guy in a
Misfits backpatch kicks the shit out of her dirtbag boyfriend? A
romantic betrayal at a desert rave? The first dubstep bass-drop in
pop-country history? I’m sorry, you guys, but I can’t see how anyone
would want to resist this.
She & Him have released a video for their rendition of “Baby, It’s Cold Outside,” which is off their Christmas album A Very She & Him Christmas.
The
video for the classic duet features an animated Zooey Deschanel doing
everything in her power to keep M. Ward (who is also animated) from
leaving a cabin in a wintery field. Veering away from the original, She
& Him’s rendition has switched the traditional female vocal with the
male’s creating a modern twist on this holiday classic. Director: Elliot Dear.
Way back in August, Brooklyn psych-pop band Hooray For Earth released the “Never”
b/w “Figure” 7″, and now that single, which was good, seems to exist
entirely as an excuse for the hallucinatory video. In the clip, a
rumpled teacher finds himself on the run from theory and maybe,
depending on your interpretation, at death’s door. A
seven-and-a-half-minute music video can be a tough sell, but this is one
that you should watch.
Mr. Muthafuckin’ eXquire filmed the video for “Fuck 1 Time,” a track from his The Man In The High Castle
mixtape, on location in downtown Manhattan during the Hurricane Sandy
blackout. This was a smart idea, since it lends a sense of urgency to
the video and since the only lighting comes from a spazzing-out
flashlight, police flashers, and whatever starlight manages to shine
through the murk of New York smog. Shane Annas directs.
On his great new album Reloaded,
Roc Marciano perfects a sort of impressionistic reflection of the New
York headknock music of the mid-’90s. And similarly, in the video for
album standoutu “76,” director Jason Goldwatch
does interesting things with bygone eras, filming grimy New York
locations in 8mm film to get that old grainy B-movie ambiance.
"Swim" by Sunglasses
From the album, Wildlife on Mush Records
Director: Harrison Jaffee & Brian Urman
Written By: Samuel Cooper
Producer: Jeremy Aidan & Harrison Jaffee
Production Company: Smallest Violin Productions
In the clip, directed by Harrison Jaffee and
Brian Urman, the band is at the center of some noir-ish drama situated
at a nightclub; their multilayered summertime psych-pop soundtracks the
action.
A music video taken from the short film Hi Custodian. Watch the latest video from Dirty Projectors' Swing Lo Magellan project, for Swing Lo Magellan's "The Socialites"
We invited some YouTubers to star in a mash-up of culturally defining moments of 2012. Can you spot all the references? More at http://youtube.com/rewind. Directed by Peter Furia
See
if you can name all the YouTube stars and spot all the references in
the video. You might even find a few surprises! (hint: try moving your
mouse around while the video is playing...).
Produced by Peter
Furia and Beau Lewis | Director of Photography: Catherine Goldschmidt |
Edited by Peter Furia and David Fine | A Seedwell Production. Full
credits at http://seedwell.com/rewind
In September, we introduced you to Fat Creeps,
a Boston three-piece who match dark garage-rock guitar riffs with
dissonant harmonies for some of the catchiest ’90s-inspired pop songs
we’ve heard all year. This week the band has revealed a video
for a new song, “Daydreaming,” set to appear on a 12″ split with ZEBU!
coming out in early 2013 on one of New England’s best record labels,
Feeding Tube Records of Northampton, MA. The track is their tightest
yet, with guitarist Gracie Jackson and bassist Mariam Saleh’s girl-gang
vocals backed up by Jim Leonard’s heavy drumming. The video, shot by Avi
Paul Weinstein, finds the trio running around their hometown, Lynn, MA,
playing in the Lynnway Mart, Kiley Park, and Mariam’s bedroom.
Major Lazer’s recent single “Jah No Partial,”
a collaboration with EDM dude Flux Pavilion, is a weird but
exhilarating collision between arena-dubstep and old-school reggae. And
its brand-new video shows Diplo and friends on the road, bringing their
ridiculously fun live show to festivals across the world. (Belgium, we
learn, goes off.) Water cannons blast, dancers do impossibly
funky shit, Diplo gleefully bites Wayne Coyne’s crowd-walking bubble,
and the whole thing is a lot of fun.
Earlier this month, Wisconsin production duo Peaking Lights released Lucifer In Dub, an album of dubbed-out versions of tracks from their already-trippy 2012 LP Lucifer. “Beautiful Son,” the married duo’s absolutely beautiful song for their infant, was a highlight of Lucifer,
and now there’s a video for the song’s dub version. Director Mike Seely
sets the song to old surfing footage, making it slightly more
psychedelic. The end result is oddly comforting.
Star Trek Into Darkness Official Trailer (2013) - JJ Abrams Movie
After
the crew of the Enterprise find an unstoppable force of terror from
within their own organization, Captain Kirk leads a manhunt to a
war-zone world to capture a one man weapon of mass destruction.
The Killers clearly are trying to flush their video vaults before the new year, as this is their second one this week
alone. Are there tax implications to carrying over completed music
videos into the next calendar year? Probably. That’s probably the
explanation. The Tim Burton-directed “Here With Me” has a two-tier
structure — band performing in an entirely empty, ostentatiously grand
performance hall, and pale guy with bug eyes who was the lead in Richard Ayoade’s Submarine caught in a Mannequin-like
romance. That is, he’s in love with a wax Winona Ryder, which
occasionally comes to life to love him back. As we learn in the end,
mannequins are great to love because they can be your date at dinner and
also your candle. Every story has a moral.
VID
Paul McCartney, Dave Grohl, Krist Novoselic, Pat Smear Perform on ‘SNL’
In one of those bizarre and unforseeable titans-clashing musical events, Paul McCartney linked up with the surviving members of Nirvana,
reunited for the occasion, to play a few songs at last week’s 12-12-12
Hurricane Sandy relief show. Among those songs was a hearteningly
ass-whomping new one called “Cut Me Some Slack,” which will show up on
the soundtrack to Dave Grohl’s forthcoming Nirvana documentary Sound City. And this weekend, the studio version of the song emerged online. Meanwhile, McCartney served as musical guest on Saturday Night Live, and he brought the Nirvana trio with him to blast the song out again. Check out the studio and SNL versions of the song below.
If you watch RuPaul’s Drag Race, you’ll recognize the queen
getting gussied up then taking the stage to perform MNDR’s yearning
“Feed Me Diamonds” as Raven. And if not, then meet Raven! She’s on
RuPaul’s Drag Race. As you can tell from Peter LaBier’s video,
she’s the rare TV star working to dramatically boost the volume of her
ass, which is bold and alluring.
The videos for the singles off Jessie Ware's debut album, Devotion, have largely been classy, simple affairs directed by Ware's visual collaborator, Kate Moross. But the promo for "Sweet Talk" is an unexpectedly cute clip where sharply dressed little kids act out Ware and producer Julio Bashmore's roles in the studio (the Invisible's Dave Okumu also produced), have a food fight, then play out their creation for Mama Ware (Jessie in some sharp horn-rimmed glasses) at home in a festively decked-out lounge.
Last night's 12-12-12 Sandy benefit saw Kanye West wearing a leather skirt, Coldplay's Chris Martin almost looking bashful as R.E.M.'s Michael Stipe joined him for a duet, and, yes, Paul McCartney fronting Nirvana to perform a new song written by the surviving members, "Cut Me Some Slack". Of course, Courtney Love was regally "not amused," as she told TMZ.
Check out footage of all three performances below, along with a video where Dave Grohl and Krist Novoselic talk about their new song and performing with the Beatles legend.
Paul McCartney, Dave Grohl, Krist Novoselic, and Pat Smear: "Cut Me Some Slack":
Kanye West's performance in full:
Coldplay and Michael Stipe: "Losing My Religion" (scrub through about five minutes for their performance):
A few months ago, Dirty Projectors frontman Dave Longstreth released his Hi Custodian short film, which used a bunch of songs from the band’s Swing Lo Magellan album. And now, like the “About To Die”
video before it, the video for the surprisingly hard-rocking album
opener “Offspring Are Blank” is built entirely from footage shot for Hi Custodian.
This one, which is beautifully shot, has a whole lot of a
radiation-suited Longstreth hanging out at a landfill and of the band
playing at the base of a misty mountain.
Hedonistic L.A. punks FIDLAR’s video for their strummy, catchy-as-fuck number “Gimme Something”
doesn’t feature FIDLAR at all. Instead, it appears to be made up
entirely of ancient footage from a Creedence Clearwater Revival show,
manipulated so that it looks like Creedence are playing “Gimme
Something.”
Home-studio memory-manipulator Toro Y Moi releases his new album Anything In Return next month, and now the awesomely squirmy plastic-soul first single “So Many Details”
gets a video. In the HARRYS-directed clip, Chaz Bundick takes a weekend
getaway with a beautiful girl and rocks a seriously impressive series
of ’70s-movie ensembles, generally looking way more pimp than you’d
expect this guy to look. It’s a pretty great video, and you should
consider.
A priest figure with a double life does drugs and brings two young women to a sleazy hotel
Wavves are coming back with a new album this spring, and they worked on it with pop producer John Hill. First single “Sail To The Sun” is a fast, snotty rager that sounds a lot like the songs Williams always writes, but it’s cleaner and more direct than any of his older stuff; he’s going for it with this one. The song’s video, directed by BLACK // DOCTOR, tells the story of a televangelist living a fucked-up drugs-and-hookers double life.
Actors: Steven Bartlett, Olivia Bellafontaine, Sekoia Grant, Teremy Jackson
The video for “The Woodpile,” a swollen and emotional song from braying Scottish rockers Frightened Rabbit’s forthcoming Pedestrian Verse,
is a single-shot tableau of a bloody scene in a New York bodega. The
members of the band join a crowd of onlookers at the scene of an
accident, and you should probably stay tuned for the surprise-ending
punchline.
The brand-new video for “Inside A Frame,” one of the prime ragers from Fucked Up’s great 2011 album David Comes To Life,
mostly takes place at a tough-kid dance-crew choreography practice, and
it’s pure melodrama. It’s also a nice indication that the makers of the
next Step Up movie should seriously throw a Fucked Up song or two in there.
The Killers already made one video
for their grand widescreen anthem “Miss Atomic Bomb,” but that one was
just live footage, and clearly someone realized that the song needed a
video as huge and ridiculous as the thing itself. And so here we get a
mostly-animated clip about a fantastical futuristic love story that eventually features Eric Roberts in his post-”Mr. Brightside” return to the Killers-video fold.
Charlie Brown is back and ready to claim the breakthrough nametag for
2013. Following the release of his debut single 'Dependency' which has
received flawless reviews from his fans, media and his peers, Charlie
looks set to cement his position at the top of the industry with the
viral release of 'She Makes Me.' The track will support the release of
Charlie's new single 'On My Way'. Cheeky, flirty and giving girls an
insight into how men think the track will be released early next year
due to high demand. Charlie's soulful vocals coupled with the
captivating songwriting shows exactly why he is THE one to watch.
The new video for Aussie dance-rock duo the Presets’ new single
“Promises” is a propulsive stream of disconnected images — some CGI,
some flesh-and-blood. Special Problems direct.
Over the years, KC genre (and gender) experimenter Cody Crichteloe aka
SSION has amassed some impressive video directing/producing credits alongside a steady output of his own outré-pop creations.
In Tom’s great Album Of The Week piece on Prince Rama’s Top 10 Hits Of The End Of The World,
he says that this concept album allowed the sisterly group to “start
investigating pop ideas, but … in an exploratory and unserious way” and
that by “tying all those songs in with an explicitly apocalyptic theme,
they’ve also freed themselves from the burden of writing straight-up pop
music, instead indulging an end-times fervor that makes their music
both more urgent and more diffuse.” The track “So Destroyed” is in many
ways the perfect distillation of that line of thought, and for its
video, Prince Rama turned to their fans to submit homemade videos for a
“So Destroyed” Dance Contest. The results were edited by Nimai Larson
that is exploratory, unserious, diffuse, and most importantly, perfectly
silly, which is nice counterpoint to the self-seriousness that usually
accompanies concept projects.
The video for El Perro Del Mar’s skittering, assured, dance-inflected single “Hold Off The Dawn” is a beautifully shot live-in-studio thing from directors Bell And Light.
It’s always fun to watch people pounding out heavily synthesized music
with actual drumsticks and stuff.
This summer, Twin Shadow released the very good sophomore album Confess.
And today, they’ve released a digital single of the album track “The
Ones” — not the version from the album, but a lovely acoustic rendition
that frontman George Lewis Jr. played during a recent KCRW session.
Lewis also made a shaky, cobbled-together montage of a video for that
version.
The skittering gospel-house thumper “& It Was U” is my favorite song from How To Dress Well’s excellent sophomore album Total Loss, and now it has a video from director Luke Gilford.
Tom Krell, otherwise known as How To Dress Well, doesn’t appear.
Instead, it tells the story of a gold-lame-wearing, Segway-riding vision
who appears to some kind of hybrid prayer circle/dance troupe. It’s a
deeply strange and absorbing video.
A few weeks ago, Everything But The Girl singer Tracey Thorn released her solo Christmas album Tinsel And Lights,
which has covers of seasonal music from people like Sufjan Stevens and
the White Stripes. One of the album’s few originals is the plainspoken,
sincere opener “Joy.” And in that song’s new video, we see Thorn
wandering around Christmastime London, as the camera calmly and lovingly
lingers on all the lights.
As a proud resident of Charlottesville, VA, I feel obligated to let
you know that the Invisible Hand, probably the city’s biggest indie band
at the moment, are really, really good at making charged-up power-pop.
Their “Psychic Cat” video is full of local landmarks, which is fun for
me and probably less so for you. But the real reason to click is the
quick little energy-burst of a song.
The Simpsons: It’s still on! Last night’s episode of the
venerated animated institution, which I did not watch, concerned the
hipsterification of Springfield, and the episode’s guest voices included
Fred Armisen, Carrie Brownstein, Patton Oswalt, and the Decemberists,
who managed to look smug even as cartoons. Watch a quick glimpse of the
band, in Simpsons form in the clip.
For the better part of the year, Sigur Rós have been taking part in their Valtari Mystery Film Experiment, in which they commission different artists to make short films out of songs from their recent album Valtari. The latest entry in the series, and apparently the final one, comes from director Floria Sigismondi,
and it may be the strongest one yet. The sort film is called “Leaning
Toward Solace,” and it uses two songs, “Dauðalogn” and “Varúð.” The film
takes place in a rural desert slum, and it stars Elle Fanning as a
young ballet dancer and the great John Hawkes as a self-doubting father.
It’s all lingering shots on faces and sadly gorgeous atmosphere, and
nothing much happens until the absolutely inexplicable ending, but it’s
gorgeous regardless.
Last year, The-Dream, recording as real name Terius Nash, released the free mixtape 1977. And later this month, he’ll release a commercial version of it, complete with bonus tracks. And now he’s got a video for the 1977
track “Wake Me When It’s Over,” with the video mirroring the song’s
lyrics about a relationship falling apart and the two people feeling
powerless to stop its slide. I honestly can’t tell if that’s fucking or
abuse happening at the end there.
The bedroom-R&B newcomer Autre Ne Veut now has a video for his great breakout single “Counting,”
in which both he and the song’s guest, gender-bending New York rapper
Mykki Blanco, play sad hospital orderlies. David Riley directs.
The new song and video by POP ETC from "The Twilight Saga: Breaking Dawn - Part 2".
“Speak Up” is the former Morning Benders’ contribution to the soundtrack of teen-vampire-romance blockbuster The Twilight Saga: Breaking Dawn – Part 2, and it oscillates between delicate acoustic folk and digital Auto-Tune pop. The song’s brand new video, directed by fourclops,
intercuts between footage of the movie and images of the band on a
picturesque sunset sail, with (possibly CGI) dolphins jumping alongside
the boat.
Psychedelic Portland dance-party duo YACHT haven’t announced plans
for a new album, but they’re giving us a new song and a new video
anyway, to celebrate the fact that they’ve been an ongoing project for
10 years now (even if “they” where a “he” for a whole lot of those
years). The new song is the streamlined, bumping “Second Summer,” and it
nicely illustrates the idea that YACHT are still continuing to get
better. And the video, from directors ADHD, is an animated thing about the druggy adventures of a smiling triangle.
The directing team of Fleur & Manu have previously made two amazing videos for “Midnight City” and “Reunion,” two songs from M83′s Hurry Up, We’re Dreaming!
album, using them to tell the story of a group of escaped superpowered
mutant children. Today, they give us the Creators Project-produced clip
for “Wait,” which finishes those kids’ story in grand fashion. We catch
up with them as they survey a world they may have helped to destroy, or
fly through space in gleaming black pyramids. Wolves and vultures and
manta rays and space-jumps all figure prominently. It’s beautiful and
enthralling and quite possibly nonsensical.
Crooked Fingers hasn’t released an album since Breaks In The Armor,
which came out in October 2011, so it’s decidedly odd to see the band
dropping a video from that album now, in December 2012. But hey, a
little extra Crooked Fingers is definitely never a bad thing! The clip
for “Bad Blood” was directed by Jamie Fleischel and stars Mike Lust
(both of whom work for AV Club) as the grown-up version of the kid from Van Halen’s 1984 album cover, which is a pretty funny concept IMO.
Last time out, Chrome Canyon’s Morgan Z directed and edited his video for “Memories Of A Scientist,”
in which he played a mad scientist plumbing the depths of his sanity to
create a keyboard-pop to save the world. Here on the slowcomotive
synth-epic “Pluze,” Z turns over the directorial reins to Jennifer
Juniper Stratford, who renders the track’s overall vibe with crossfades,
dissolves, closeups, and an ’80s-psychedelic palette of colors and VHS
filters.
Earl Sweatshirt hasn’t made a music video since “EARL,” the clip that
put both him and his Odd Future crew on the map. But now he’s returned
to the form with a video for “Chum,”
the jaw-dropping and emotionally gut-scraping new song. In the dark and
meditative black-and-white clip, Earl floats down an abandoned street
and encounters giant frogs and skull-faced dogs. It’ll stick in your
brain.
“Blue Ice,”
the emotively precise new single from the Swedish band Shout Out Louds.
And now here’s the mostly-CGI video, in which faces and bodies drift
across the expanses of space and the camera runs laps around Saturn’s
rings. Johan Toorell directs the psychedelic clip.
Here's "BC," the new video from Cold Showers, taken from the band's new
album 'Love and Regret,' released this past October by Dais.
Directed
by Brian Davila, with a cameo by Andrew King (Crystal Antlers), the
video is an homage to films such as The Hunger, Society, and Night Of
The Comet.
Letra & música Krauss / Gómez Dirección: Gory Patiño Producción y Montaje: Germán Monje Dir. Fotografía: Gus Soto Elenco: Natalia Peña y Mauricio Toledo Krauss son: Christian Krauss - Voz, Conejo Arce - Bajo, Paco Agular - Guitarra, Teto de Ugarte - Batería Vestuario: Narcisa & Cucho Arce Asist. de Dirección: Ferdi Ballivián Maquillaje: Juan Ignacio Revollo Asist. de Producción: Mariana Urquidi
The Killers have made an exceedingly, commendably goofy
mini-tradition out of releasing Christmas songs, and we posted their
latest, the mock-horror Santa story “I Feel It In My Bones,” yesterday. And now here’s the video, in which Santa is reinvisioned as a terrifying vengeful biker. Director Roboshobo has a whole hell of a lot of fun with early-MTV lighting and fog machines.
A$AP Rocky recruited a hell of a lineup for “Fuckin’ Problem,” the sex-talk posse cut from his forthcoming album LONGLIVEA$AP.
And all four guys show up in the brand-new video. It’s a pretty
bare-bones affair: Some dancers, some fashionable black clothes, some
blank backgrounds. And it lives and dies entirely on the rappers’
charisma. Fortunately, these are some charismatic motherfuckers; Drake,
in particular, comes out looking like the coolest motherfucker on the
face of the earth.
Sweden’s Sally Shapiro kind of disappeared after her 2009 sophomore album My Guilty Pleasure, but she’ll return in 2013 with a new album, Somewhere Else. We heard achingly sweet and earnest first single “What Can I Do”
last month, and now we’ve got a video for the track. Directed by Jarett
Sitter, the animated clip follows a silhouetted figure through a
fantasy landscape, capturing both the song’s sadness as well as its
sense of wonder.
Around the time Faith No More broke up, Mike Patton started a new
band with a particularly burly and vicious lineup: Melvins’ Trevor Dunn,
the Jesus Lizard’s Duane Denison, and Helmet’s John Stanier, who would
later become the best part of every Battles show. Tomahawk has been
largely inactive since 2007, but they’ve started touring again, and they
released a new single called “Stone Letter” on Black Friday. The song’s
video is all live-show footage.
The Echo Friendly’s “Supplies For Arson” begins with some spoken word
about the song title and “the Pencil Factory,” which probably isn’t
about setting a Dixon Ticonderoga plant ablaze so much as it is a
reference to this bar
in Greenpoint and this boy/girl group’s tendency to go from flames to
ex-flames: The Echo Friendly is Jake Rabinbach (ex-Francis & The
Lights guitarist) and Shannon Esper, a pair of North Brooklyn residents
who have turned the melodramatics around their ever-shifting
relationship status into an song-cycle about it. (Think The Kills,
though less slinky/more indie-pop/more romantically involved.) If you
watch the show Girls, you may recognize their song “Same
Mistakes” (and if you didn’t watch it, you can probably still guess what
the track’s about). “Supplies For Arson” is just as direct, but for the
opening’s double entendre, and its video frames their “are they, or
not” story arc into a three-and-a-half minute video vignette.
The Rolling Stones are in London playing a string of shows in celebration of the band’s 50th anniversary, and last night the band brought out Florence Welch to wail on “Gimme Shelter.” She obliged.
In the mysterious, black-and-white Ulysses///Onasis-directed video for Foxygen’s assured, string-laded indie-pop tune “Shuggie,”
a gleaming black box seems to stand in for a whole lot of people’s
deepest longings and desires, or something. It’s pretty weird! Watch it
below.
Virginia indie-pop C86-throwbacks Eternal Summers released a terrific LP this past July, Correct Behavior,
which has been unjustly overlooked on most of the year-end lists I’ve
seen so far. So it’s a good time for the band to drop another video from
the album (by my count its fourth!), reminding those of us who make
such lists to take another look at ‘em. “Good As You” has the winsome
sweetness of an old Softies ballad, all clean-tone guitar strum and
Nicol Yun’s longing vocal, heavy on the echo. The video takes place
partly in a dilapidated hospital, with the band in scrubs looking
drugged, and partly in an underwater dreamworld.
Interesting – and beautiful – music video for Nosaj Thing by Daito Manabe.
Manabe employed a Point Grey camera to track the dancers – all graphics
were projected in real time over the live performance. For more
information on the piece, check out The Creators Project’s interview with Manabe.