The former Velvet Underground member John Cale will soon release his new solo album Shifty Adventures In Nookie Wood, and you know an album has to be good if it’s going to justify a title like that. We’ve already heard first single “I Wanna Talk 2 U,”
and now we’ve got the truly odd video for album track “Face To The
Sky,” which pairs Cale with a modern dancer.
Chairlift’s Something
comes out in Japan today, so in celebration of that, Chairlift’s put
out a Japanese-language version of their album jam “I Belong In Your
Arms,” complete with a video featuring some vintage digital textures.
Lead singer Caroline Polachek spent some time in Tokyo as a youth, turns
out. Eric Epstein directs and animates.
Earlier this year, Wolf Parade/Sunset Rubdown/Swan Lake guy Spencer
Krug, working under his Moonface alias, teamed up with Finnish band
Siinai on the new album With Siinai: Heartbreaking Bravery. And the new video for album track “I’m Not The Phoenix Yet,” directed by Throneboogie, is an intense and weirdly fetishized series of extreme close-ups of a female body doing calisthenics.
Animator Jim Segrue is part of the award winning team at Titmouse, the folks responsible for shows like Metalocalypse, Superjail and Black Dynamite, but this time he's stretching out his wings and flying solo.
His newest short Life By A Thread
details an alley cat's search for warmth during those cold winter
months, and the only thing this squashy, stretchy character animation
smearfest seems to be missing is a suitable soundtrack.
Anybody have access to a theremin? Or a musical saw and trombone?
Earlier this week, we heard “Duquesne Whistle,” the single from Bob Dylan’s forthcoming album Tempest.
Today, we get the video, an admirably opaque thing from Aussie director
and stuntman Nash Edgerton. In the video, a young man’s attempt at a
whimsical meet cute turns out really, really badly. We also get
unexplained shots of Dylan walking around, leading a posse that appears
to include a couple of pubescent cholos and a guy dressed like Gene
Simmons. Edgerton’s brother, the actor Joel, is in there as “guy with
baseball bat.” The whole thing is pretty ridiculous and great.
In Yeasayer’s video for “Longevity,” a jittery track from their new album Fragrant World,
we see the band playing the song while frontman Chris Keating ages at
extreme speed, sort of like the guy who drinks from the wrong cup in Indiana Jones And The Last Crusade.
Van She’s “Jamaica”
is a top-shelf smooth-pop song, but if I didn’t know any better, I’d
think that they recorded it just as an excuse to visit the titular
nation to film the video. In the song’s video, we see the members of the
band having what looks like an amazing time in Jamaica: Jumping into
swimming holes, playing soccer with kids, patronizing raunchy
nightclubs.
Montreal indie rockers the Luyas will put out their third album, Animator,
later this fall, and today we’ve got their evocative and dramatic
visual for the single “Fifty Fifty,” a building rocker rife with
churning, orchestral swirl. The video is written/directed/shot/edited by
Derrick Belcham (A Story Told Well) and choreographed by Katie Ward.
Here’s the latest from Sigur Rós’s ongoing Valtari Mystery Film Experiment — a project that has, thus far, featured contributions from Ryan McGinley and Shia LeBeouf — a nature-themed, mossy clip for the track “Dauðalogn.” Henry Jun Wah Lee takes the helm here.
Screaming Females’ video for “It All Means Nothing,”
in which bandleader Marissa Paternoster is murdered and dismembered by
her bandmates, is not exactly the sort of thing that demanded a sequel.
And yet here it is: The video for “Leave It All Up To Me,” in which a
crew of gothic Scremales fans resurrect the zombie Marissa and help her
exact her gruesome revenge. The band once again co-direct alongside Ken
Castellano, and the result is NSFW for extreme hilarious carnage.
This fall, Converge, the most important hardcore band of the last 20 years or so, will release their new album All We Love We Leave Behind. The album seems to stand in stark contrast to its predecessor, 2009′s ambitious and thoroughly face-ripping Axe To Fall,
since it has no guest stars or outside collaborators. Guitarist Kurt
Ballou, possibly the best producer currently working in hardcore and
metal, engineered it, and it will probably rule. A 17-track deluxe
edition of the album will include a 48-page book with art from frontman
and iconic graphic designer Jacob Bannon. Below, check out the album’s
tracklist and director Max Moore‘s
chaotic, nightmarish video for the explosive album opener “Aimless
Arrow.”
In the new video for her blissed-out track “Goddess Eyes I,”
sound-sculpting vocalist Julia Holter appears in a mysterious landscape
just as fuzzy as the song itself. Here’s what director Jose Wolff says about the clip:
The first thing that came to mind was an image that
gradually deteriorates with visual noise, echoing the sonic noise
present in the song. We go from lightness to darkness, away from a
structured, fabricated place and into raw territory.
Here’s the clip for Sleigh Bells’ glistening Reign Of Terror
cut “End Of The Line,” a scenic visual that finds Alexis and Derek
vogueing hard while riding BMX bikes. You could screencap this one for
days, folks. Sleigh Bells’ Derek Miller and Gregory Kohn direct.
Flight Of The Concords might not have an HBO show anymore, but
they’ve just gotten back together to raise money for the children’s
charity Cure Kids. The video
for their new single “Feel Inside And Stuff Like That” finds the duo
interacting with a number of ridiculously adorable kids from New
Zealand, all of whom help write the lyrics, and it has cameos from a
whole parade of New Zealand celebrities that I’ve never heard of.
For their collaborative album The Flaming Lips And Heady Fwends,
the Lips recorded a version of the old folk song “The First Time Ever I
Saw Your Face” with Erykah Badu, and it was good. But in the song’s video,
Badu’s sister Nayrok writhed around naked in tubs of glitter and fake
blood and white goo, and the result was pretty gross and exploitative —
so much so, in fact, that Badu herself famously called out Wayne Coyne online.
Well, for whatever reason, the Lips have now recorded another version
of the song, this time with drama-rock queenpin Amanda Palmer subbing
in for Badu. And in the new video, Palmer appears, extremely naked,
though this time she’s in a tub of nothing more exciting that water.
Palmer howls the song ecstatically while the lips bang it out in what
looks like bored slow motion.
Band Of Horses return next month with their new album Mirage Rock, and we’ve already heard first single “Knock Knock.”
That song’s new video works as a parody of old-timey wildlife-adventure
films, with a group of scientists tracking the band through the
wilderness. That’s a fun concept, and it also works as an excuse to film
the band playing on some truly gorgeous desert vistas, all filmed on
location in Utah. Jared Eberhardt directs.
Here’s Nicki’s new visual for Roman Reloaded highlight “I Am Your Leader,” wherein Nicki, Rick Ross and Cam’ron hold
down a neon-green-and-pinked-out version of a Looney Tunes setting.
Cam’ron’s wearing a shirt that changes colors, possibly depending on
Cam’s mood. Just a guess.
Early in the year, the veteran German squelch-and-burp glitch duo Mouse On Mars released their Parastrophics
album, and their new video for the album track “They Know Your Name”
consists entirely of spastic footage of biological cell studies, edited
together by Pfadfinderei.
Here’s the clip for Welsh trio the Joy Formidable’s new single “Wolf’s Law,” a black-and-white visual that gets pretty Tree Of Life-y
and complements to the epic feel of the song, which is a big, sweeping
thing itself.
The latest entry in Montreal producer Montag’s monthly singles series Phases is “True Love,”
a sinister Italo romp in which he sings over a synth-throb from fellow
producer James Bay. The track’s new video starts out with horror-movie
imagery: Worms made to look gigantic, billowing dry-ice clouds, dark
looming woods. Then an intense-looking group of people lip-syncs the
song. Then they all make out furiously with each other. I’m not sure
what any of it means, but it’s sure not boring. La Barbe Rousse directs
Here’s Apache Beat’s kaleidoscopic daydream of a clip for “Tracing Sky,” a clip directly influenced by Australian director Peter Weir’s Picnic At Hanging Rock. Mark Lovato and Gella Zefira direct. Watch it below.
Earlier this month, we posted “The Descent,” the chunkily hooky new single from American indie founding father Bob Mould. And in the song’s new video, Mould plays a character who goes from corporate casualty to backwoods off-the-grid mountain man faster than anyone could reasonably expect. Alicia J. Rose directs.
In the music video for “Untitled”, Killer Mike and guest star Scar recreate a series of historical art tableaus. The reworked pieces cast Mike as a saintly deity, a Saddam Hussein-inspired dictator with matching sword, an imprisoned civil rights leader and, finally, a severed head (with his old pal El-P their to hold it up on a golden platter). Save yourself a trip to the museum and watch the video below (via Pitchfork TV).
As promised, the video for Grimes' "Genesis" is here (directed by Claire Boucher herself), and it bears no shortage of things to gawk at. Claire holding a python in the back of a livery cab! Claire wearing a fitted dress that says "PUSSY" across it! Sword fighting in the desert! Crawling around in the the woods and strutting down the streets of L.A. with a cast of characters ripped straight out of "Mortal Combat"! Grimes, you've officially out-fucking-Grimes'd yourself.
It’s hard to outdo the overwhelming badassery of Aesop Rock’s “ZZZ Top”
video, pretty much just a full-length martial arts brawl, but the
ferocious punk rock ballet dancers of the new “Cycles To Gehanna” video
make it closer than you’d expect. Ben and Pete Lee direct with classic
B-movie panache.
MTV has posted the new video for "Set It Off", a track from Diplo and Lazerdisk Party Sex (say that 10 times fast) that appears on Diplo's latest, the Express Yourself EP. Directed by Ryan Staake, it's pretty much exactly what you might expect from Diplo and an artist called Lazerdisk Party Sex: Strippers in space.
Dinosaur Jr. go the Funny Or Die route for their new video for “Watch The Corners.”
The band themselves only show up in digitally blurred cameo form.
Instead, we see the story of a teenage girl who works at a supermarket
and falls in with a bad boy who turns everything he touches into digital
blurcles. Internet weirdo-comedy god Tim Heidecker plays the protective
father, who finds an immensely satisfying way to respond. The Director
Brothers direct.
Garbage’s comeback album, Not Your Kind Of People,
was released back in May; not surprisingly, it was a dynamic, lushly
produced, sweeping affair. The clip for new single “Big Bright World,”
directed by Julie Orser, shares those qualities. Employing gothic images
and striking juxtapositions of color scenes against stark
black-and-whites, it kind of looks like something Vaughn Oliver might
have created.
The member of A$AP Mob people seem to be the most excited about —
outside of, you know, Rocky — is A$AP Ferg, thanks to his memorable
debut appearance on LiveLoveA$AP standout “Kissin’ Pink.” Anyway, the Mob will be putting out a mixtape
later this month, and recently Ferg’s video for his solo track “Work”
surfaced, a strange clip that takes place mostly in a courtyard and a
sand dune (plus a Kilo Kish cameo!).
Xiu Xiu’s video for “Born To Suffer” starts as a pixelated, gray-scaled
pastiche before blossoming into something much more color-rich and
evocative, featuring — amongst other things — some passionate kissing.
Adriana Alba directs.
Bergen, Norway post-punk trio Ungdomskulen will be announcing some new album details soon, but before that
happens, today they’re sharing the video for the first single
“Askefast,” a propulsive, proggy cut. The video finds the group workin’
some stuff out in the shadows and features some always-much-needed
shirtless cave drumming.
Morgan Z brought a triple-decker synth rig to the defunct futuristic glam-pop outfit Apes & Androids before striking out on his own as Chrome Canyon. We’ve heard “Generations,”
which served to announce the project’s signing to Stones Throw, and Z’s
following that with a self-directed/edited clip for the whimsical
MS-DOS-era sci-fi synth-funk of “Memories Of A Scientist.” Esteemed
photographer Noah Kalina serves as
Director Of Photography, capturing Chrome Canyon as a mad scientist with
an eye toward cracking the code of multi-tracking a song that surely
would have been the credits music for a Reagan-era sitcom about
computers or mathematics. Whimsical, shticky b-movie stuff.
It’s their song and some version of their gauzy lens-flare aesthetic, but the married Wisconsin dub duo Peaking Lights only make a quick cameo in the video for their track “Dreambeat.” Instead, the video, from directors Jordan Redaelli and Jason Miller, follows a girl from Coney Island’s outer-borough scuzz to New York’s visually gorgeous vogue-ball underground. It’s just a very good music video, thanks at least in part to the production values that the Urban Outfitters corporate overlords gave it, and you can watch.
Here’s the eyebleed of a visual for AnCo’s “Today’s Supernatural,” a
video that includes Avey Tare in a frightening clown getup, one of those
dragon dance costumes riding round in a go-kart before getting beaten
up by a pair of disembodied arms with clubs, and so forth. Business as
usual for AnCo. Directed by Danny Perez.
Last week, we got our first listen to the studio version of “State Hospital,”
the title track from Frightened Rabbit’s forthcoming EP. Today, the
clip for the track has surfaced, giving glimpses into the emotional
trauma of a woman who is (presumably) a resident of the hospital in
question. It’s a big, uplifting song, but a gray, depressing video.
“Alone And Stoned,” the new video from garage rocker and Happy
Birthday frontman King Tuff, revolves around the goofy things that
people do when they’re listening to music in their bedroom under the
influence of something or other. It involves copious amounts of
hair-whipping and bed-jumping, and all the people involved put a lot of work into their rooms.
Here’s the video for Brooklyn producer Physical Therapy’s jam “Drone On,”
a clip that includes a romantic story arc. Oh, did I mention that this
story arc also includes rollerblading brides? If this video is any
indication, rollerblading is about to come back hard. Maybe it never left?
In their video for “Dark Star,” a track from their 2011 debut album Give You The Ghost,
the members of the Minneapolis synthpop crew Poliça play in all sorts
of shimmering sci-fi light; the sets look like they’re on loan from
conceptual sci-fi movies. Which is to say: This is not a Grateful Dead
cover.
Aimee Mann’s new video for “Charmer” deals fearlessly with an issue
that so many of us face: What happens when you hire a robot double of
yourself but then get annoyed when you’re double is better at being you
than you are. Tom Scharpling, who
is turning out to be maybe the best active indie rock video director,
helms the thing, and Laura Linney stars as the robot version. John
Hodgman shows up, too.
After a February protest/performance at a Russian Orthodox church,
three members of the Russian feminist punk band Pussy Riot are facing
years in prison for the charge of “hooliganism motivated by religious
hatred.” They’ve been in the news a lot lately, and we’ll soon learn
whether the international outcry to free them had any effect. In the
meantime, electroclasher Peaches has recorded a new track called “Free
Pussy Riot” in solidarity. And the video, which doesn’t seem likely to
sway any Russian court functionaries, features footage from a Berlin
rally in support of the band, as well as appearances from sympathetic
artists like the Knife, Lykke Li, Peter Bjorn And John, Nick Zinner, the
Hives, Miike Snow, Kate Nash, Light Asylum, Wayne Kramer, Marshall
Crenshaw, JD Samson, and others.
Here’s the clip for Green Day’s “Oh Love,” in which we find the Green Day dudes performing the punchy piece of power pop to an audience of models. Indifferent at first, the crowd starts to feel it toward the end.
The Brooklyn-based band Nude Beach have their roots in their home borough’s scuzzy DIY scene, but there’s virtually no noise or abrasion to what they do. Instead, they play a fun and beery strain of punk, one that has plenty of classic-rock radio in it. And so it makes sense that their video for “Walkin’ Down My Street” is a fun one. Director Will Ellis shoots them bashing the song out at a loft party, as pizza boxes sail through the air and everyone retires to the rooftop to shoot off bottle rockets. Watch it below.
As previously reported, Beck has contributed three songs to the new Playstation 3 game Sound Shapes. And we’ve already heard a preview of “Cities.”
But now, the video game is out, and versions of all three songs are out
on the internet. In the gameplay videos below, we can hear the songs
and see how the music interacts with the gameplay experience, which
looks both pretty fun and absolutely maddening. “Cities” and “Spiral
Staircase” find Beck sounding smoothed-out and precise, while “Touch The
People” is glitchier and jankier, as if Beck is experimenting in EDM.
Sound Shapes is out now, via Queasy Games. Also, Beck’s new album Song Reader will be out now, but only in sheet music form, which is sort of like releasing a video game as pure binary code.
Hear’s the visually impressive combo clip for “I Wish You Would” & “Cold,”
a six-minute long Hype Williams construction featuring West, Khaled and
Rozay holding down an underground tunnel. Real talk, though — is it
better than the fan video with the kid rapping, a la Danny Brown’s “Grown Up“/Biggie’s “Sky Is The Limit“?
The great Icelandic wonderers Sigur Rós are now deep into their Valtari
Mystery Film Experiment, a project that sees the band recruiting
directors to make conceptual art films out of songs from their new album
Valtari, and which has already afforded us a glimpse of Shia LaBeouf’s schlong. The latest video, from director Melika Bass,
is for the warm and placid instrumental “Varðeldur,” and it gives us
nearly seven minutes of a woman, alone in a room, having what appears to
be a prolonged slow-motion seizure.
Reluctant as I am to add to the mountain of interpretations of Somebody
That I Used To Know seemingly taking over their own area of the
internet, I couldn't resist the massive remixability that such a large,
varied yet connected bundle of source material offered.
Thankyou to everyone who has responded to Somebody That I Used To Know via YouTube. It's truly amazing!
All
audio and video in Somebodies is from the YouTube user videos featured,
each of them a cover or parody of Somebody That I Used To Know. No
extra sounds were added to the mix, but I used some EQ, filtering,
pitch-shifting and time-stretching to make the music.
I avoided using any existing remixes of the song, or any covers from tv talent shows.
As
comprehensive and extensive as I tried to be with my downloading of
source videos, I know there are many clips that I missed. Tay Zonday's
cover for instance, no internet mashup should be without him.
I
used KeepVid.com to download the YouTube videos, Ableton Live for audio
stretching, pitch-shifting and the initial video editing, and Adobe's
After Effects to put the final video together.
Big thanks to Travis Banko for assistance with downloading source videos, and to James Bryans for After Effects tutelage.
Thankyou to Barry for being Barry, and guiding us all.
In his video for the Metals song “Anti-Pioneer,” director Martin de Thurah
shoots Leslie Feist in flickering darkness and worshipful close-up. If
“lush black-and-white” is a thing that exists, it applies here. This one
aims to bewitch, not to dazzle.
VH1′s blessedly reactivated Pop-Up Video show is back on the air, and one of its most recent selections is Spike Jonze’s kids-in-the-apocalypse video for Arcade Fire’s “The Suburbs.” If you were reading music blogs around the time that video dropped, then many of the Pop-Up Video fun facts will be familiar, but not all of them. The Dairy Queen from that video, for instance, was also a location on Friday Night Lights; I sure didn’t know that.
For more clips from the reactivated Pop-Up Video, check here.
Pittsburgh melt-pop toxic avengers Black Moth Super Rainbow are priming the world for their new Kickstarter-funded album Cobra Juicy, and their new song “Windshield Smasher” pushes their bubbling-tar sound in friendlier directions. The video, however, is something else entirely. Director Bo Mirosseni gives the song a straight-surreal take on Dead Prez’s mob-rules “Hell Yeah” video, telling the story about two unfortunate travelers who get lost and find themselves confronted by a crew of masked goons, who pull them out of their car and do, um, surprising things when them. This is a fun one.
What a build-up: Tom Waits has spent the past week dropping hints about an announcement he had planned for today, and the Web was thick with speculation: Could it be a tour? New music? A concert cruise? Nope. Turns out it was the release of a new video for "Hell Broke Luce," a scabrous, blackly comic anti-war song from last year's Bad As Me. The clip was the source of various surreal images posted on Waits' website last week, depicting the singer sporting an eyepatch and a scimitar, underwater flanked by boxy sharks (that turn out to be submarines) and poking an oversized spoon at a roaring fire.
Directed by Matt Mahurin, the video is as gritty as the song, as Waits pulls a small house through an arid, blasted landscape; over the ocean while surrounded by warring flotillas; and under water, trailed by boxy shark submarines.
Waits addressed the speculation over his clues in a statement: "As most of you guessed, it’s a tour . . . a tour de force!" The singer said he and Kathleen Brennan, his wife and songwriting partner, envisioned the song as "an enlightened drill sergeant yelling the hard truths of war to a brand new batch of recruits. The video grew from the gnawing image of a soldier pulling his home, through a battlefield, at the end of a rope.
Music video for Ane Brun - Words, taken from the album "It All Starts With One".
The
video for "Words" is the prologue from a short film based to music
from Ane Brun's album "It all starts with One", the film that houses no
fewer than four orchestrated songs will be premiered in 2012.
The Director for the whole project, Ane's long-standing video director Magnus Renfors, says of the venture:
"Ane's
music is like a great ocean housed under the roof of a great old
theater, where pictures are hung from the threads of the music shooting
out, so it really does the job itself. That said, the images require a
certain height at a substantively dramatic level, otherwise the music,
sometimes so sublime and skin tingling, can rush over the head of the
visual aspects. Ane and I have done stuff together since 2003 and
already on the last album we talked about doing something bigger, more
coherent, and this time it was really the one. "
"ONE", as the
film is called, is a poetic tapestry incorporating various threads
interwoven on several levels, integrating and complimenting Ane's
delicately composed branches between hope, rage and grief. A heavy period of post-production is now rolling with the other chapters before the film is fully released in the fall.
The
film is produced by Hobby Film Stockholm in cooperation with, among
others, Riviera Post Production and Ljud & Bildmedia, with the
theatre giant Ivar Wiklander appearing as the main character.
Credits: Director: Magnus Renfors Producer: Frida Lindin Photographer: Gustav Danielsson Production Company: Hobby Film Stockholm Sound: Johan Isaksson Colorist: Ola Bäccman Editing: Gregers Dohn Visual effects lead artist: Maceo Frost Choreographer: Rebecca Chentinell Art Director: Agustin Moreaux Costume Designer: Lotta Barlach
This video may not be suitable for all audiences. Viewer discretion is advised.
Willem Dafoe, Marina Abramović, and Carice van Houten star in this quiet, violent clip.
The title track from Antony’s new, live and symphonic release Cut The World is a previously unreleased track coming from the stage show The Life and Death of Marina Abramović. Fittingly, the famed performance artist brings her iconic mug to this stark, chilling, short filmic Nabil-directed clip’s conclusion, but not before Carice Van Houten (of Game Of Thrones) and Willem Dafoe (of Game Of Cheekbones) work their way through a little secretary/boss disagreement. That is, Willem’s character seems to feel he is entitled to keep living, while Carice takes the opposite position. It’s a literal take on the title, and comes with a “viewer discretion is advised” tag.
Lower Dens hits the corporate team-building camp in the video for “Candy,” a visual accented by light psychedelic flourishes to fully flesh out the strangeness. Plenty of trust falls are practiced, in case you were concerned about that. Alan Resnick and Noah Collier direct.
The first line of My Morning Jacket’s “Outta My System is, “They told me not to smoke drugs but I didn’t listen.” The video makes that admission pretty damn explicit, if not entirely unnecessary. The clip is a super-trippy cartoon directed by James Frost, starring an animated MMJ (Jim James is inexplicably a cyclops) and Zach Galifianakis as a wizard. The only thing it’s missing is Johnny Cash playing the Space Coyote.
The second video from NoJo’s Danger Mouse-produced and co-written Little Broken Hearts
is for “Miriam.” The track has a reverberating, rippling elegance
that’s part pretty and part shadows, and director Phil Andelman conjures
all of that with Norah in a pink dress and a paddle boat with a bloody
paddle in the water. Of course, that’s not all that’s in the water.
Washed Out’s debut album Within And Without is a year old at this point, but that didn’t stop Yoonha Park
from making a new video for its tender ballad “A Dedication.” The video
gives us a romantic getaway to a decaying abandoned cabin, and there’s
also a cat who steals every scene it’s in. Watch the clip below.
Here’s the video for Angel Haze’s sneering Reservation standout “New York,”
a menacing clip that finds Haze and some other dudes wearing gasmasks
patrolling the streets and tunnels of New York. After she’s done with
that business, she gets in the booth! All in a day’s work. Also, this
video has one of those “To Be Continued …” cliffhangers which, if we’re
going by tradition here, will never be continued. Adrienne Nicole directs.
In the video for their sprawling country heartbreak-jam “Pretend You Love Me,”
Bay Area garage-pop greats Sonny & The Sunsets give us a tour of
their San Francisco native habitat. Also, a guy in an Incredible Hulk
mask tries on cowboy hats, which is a pretty good look. Ryan Browne
directs.
Feist and Mastodon’s (AKA Feistodon’s) collaborative “A Commotion”/”Black Tongue”
split was one of the highlights of this year’s Record Store Day
exclusives. Five thousand copies of the 7″ sold out, but starting today
you can buy it digitally from Feist’s and Mastodon’s official sites. The
artists have also unleashed an interactive HTML5 video for “A
Commotion,” directed by Vice Cooler, featuring Leslie smashing
instruments and generally tearing shit up. The interactive part is that
you can toggle the audio between the Mastodon version and the Metals original. Check it out at listentofeist.com or mastodonrocks.com, or watch a non-interactive version below:
The video for Passion Pit's Gossamer track "Constant Conversations" is a quiet, sensual journey through a summer party full of secret trysts. Directed by Dori Oskowitz, it features actor/director Peter Bogdanovich (The Last Picture Show, "The Sopranos"), actress Analeigh Tipton (Crazy, Stupid, Love, Damsels in Distress), actress Taryn Manning (8 Mile, Hustle & Flow), and actor Roger Guenveur Smith (Do the Right Thing, American Gangster).